Friday, June 18, 2010
Why I'm not Cut out for the Workforce, Part One
Wednesday, June 9, 2010
Single Speed
Tuesday, June 1, 2010
Becoming Our Parents
The details of the argument are never important after the fact, but there was a miscommunication about money, hundreds of dollars of it, and fragile under the stress, I turned red with anger and combusted like an exploding fire hydrant uninvitedly flooding the streets. And then I pointed at Him, jabbing some invisible elevator button that would hoist me to a more commanding level, and said, “This is on you. Get your mother to write the fucking check, or that’s it.” I paced around in the middle of the road in front of my house, avoiding his touch that begged for patience and acceptance like the Artful Dodger, mumbling fragmented phrases: “So. Irresponsible.” “Fucking insane.” “I can’t believe it.” “It’s bullshit. Bullshit.” It didn’t matter that James and I had just spent the last two days doing nothing, but nevertheless enjoying the privacy of a house to ourselves: we slept until late in the afternoon, perused a local nursery, cut up fruit for a salad, imagined ourselves down the line growing and making our own food, working as a complimentary team, and watched Rick Steves show us Italy while we planned our semester abroad, enveloping into one another on the couch. No, none of that mattered now, and I was notoriously a bitch anyway, or at least too honest, which meant that I was entitled to scream and threaten to end our relationship, or if not entitled, then expected to. And I was, after all, living in the moment like a very enlightened woman, because the utter loss of so much money at that point in time made me sure we could no longer exist as a couple. Need reinforcement about female fury stereotypes? I’m your gal.
Later, after I had sufficiently infused my dialogue with “fuck” an appropriate number of times and made more exaggerated hand gestures than all my Italian relatives combined, and when the finances were on the path to resolution, I went upstairs, rummaging in a hat box for an appropriately uplifting, religiously inspired card to make out to His mother for her birthday. James, being the pure gold, rust-resistant medal of a man that He is, instantaneously forgave my behaviors, insisting against my self-deprecating words that, No, I was not crazy! Why would I ever think such an irrational thing? I had every right to be angry!
“How about this one?” I’d ask James, thrusting a card in His direction, and He’d respond gut-impulse: “No. She hates glitter. She’ll say, ‘that’s nice, but I wish it didn’t have glitter.’” “Why does she hate glitter? ‘Cause it gets all over the place?” I’d answer for myself, trying to focus on our conversation while my parents were cussing and shouting at one another, bursts of thunder and lightning, a few rooms down. James had nodded, and I suddenly dropped the pastel colored Hallmark creation and looked up at him. “I’m sorry. Really. Do you see?” I said in earnest. “It’s learned behavior. That’s how they communicate, and it hardly phases me anymore.” His face, ever gentle, paraded his understanding, and he said, “Let’s go downstairs. I don’t like it when people yell.” “Why?” I blinked, apparently only partially aware that loud arguments were unhealthy. “Because it makes me sad,” He said plainly, and I knew that that abstract declaration was as best as He could explain the sensation He felt.
As we made our way down the staircase and onto the front porch to sit hand-in- hand on the rickety wooden swing overlooking the garden, I thought about how no matter how much we all love our parents, the idea of morphing into them without our own consent makes for that cliché heart-sinking-to-the-bottom-of-stomach feeling in all of us. Later, I cried to James hysterically about how very similar we are to my mother and father, and how I didn’t want to wind up twenty years down the road sleeping in separate bedrooms, eating and watching television in different rooms, seemingly only talking to one another to argue. And I pointed out how very much he was like his own dad, and said I didn’t see myself going on forty, living in an inherited house in disrepair with no flushing toilet – that no, I couldn’t do that. Though I didn’t realize it at the time, I needed him to reassure me that that wasn’t where my life was headed, especially if I decided to spend it with him, that I could do better than that, even though I was rotting away in the jungle-like humidity of a Baltimore summer, alone, while my friends headed abroad to third-world countries to assist in some noble, Peace Corps worthy cause, or moved to L.A. to work for big-name production companies, or landed internships with nationally renowned doctors at Johns Hopkins Hospital. James reminded me that we were composites of so many different people and ideas and places, not just our parents, and told me that the fears I was presenting were a commonality between us, and our awareness of them could help us to eliminate them, uproot our weeds with a garden hoe, and that together, we could create our own utopian-like Eden. His words, a mix of cooing and encouragement and urging allayed my trepidations better than any chamomile tea or hot bath or spontaneous shopping trip could have. True, I thought to myself, I may be a Fallen Eve, susceptible to imperfect ways – unrestraint anger, jealousy, vanity, and greed – but at least I have a companion who unrelentingly shows me that Paradise can always be regained.
Saturday, May 15, 2010
Red Corduroy Pants
In elementary school, I loved Lindsey Krebs in the way that second grade boys love hot rod model cars and Legos: compulsorily, as though zealous adoration were a classroom rule that if disobeyed, was punishable by the principal. Lindsey had the sort of curvaceous handwriting that made her seem more sophisticated than the average second grader. In fact, her lettering looked the way her name sounded: soft at first, zesty upon second glance. Lindsey did her capital “L’s” in cursive, big loops at the top and bottom. On rainy days, I would practice mimicking Lindsey’s handwriting on spare sheets of notebook paper or on the foggy bus windows during the ride home from school. It was on days like that – when droplets of water fell onto the pavement like stones – that I longed to jump into the loops of Lindey’s “L’s” and stay there until the sun came out again.
Lindsey was blonde, but not in the typical eight-year old blonde way: her mom did not make her wear her hair in French braids the way my mother did, and she never embellished her locks with a frilly ribbon. Lindsey’s golden hue had natural variation; the lighter strands of dandelion yellow looked the way all women who visit the hair salon monthly for a cut and color wish their hair would look naturally. The girl’s bangs swooped just below her eyebrows, and occasionally, she would brush them to the side with a few fingers. My bangs, trimmed on a regular basis by my mother, were cropped too short to get away with that sort of effortless little sweep.
Lindsey knew all the lyrics to the poodle skirt, petal-pushing songs in Grease before I even knew about the romance between Sandy and Danny. She got to be a flower-crowned May blossom girl in our school play about the months of the year, while I acted as the leprechaun representing March, jigging my way onstage. She was cool in the unconventional sense: she made the hand-me-down clothes from her older sisters look like nineties grunge or hippie chic, while I probably just resembled little orphan Annie in the outfits I inherited from my cousins. I was the typical “cat got your tongue?” little girl who was oftentimes too shy to do anything other than silently revere the cool kids, and because of that, Lindsey thought I was a snob. Once, her and my best friend Brittany Severe stayed in from recess to help the teacher assemble packets for class, and when I came in from swinging along the monkey bars outside, Lindsey came up to me and spoke for the two of them, and made a humiliating proclamation: “Me and Brittany decided we don’t want to be your friend because you’re mean and obnoxious.” I couldn’t believe it: Lindsey hardly knew me, and Brittany had been my best friend since kindergarten. True, I was reserved, but there was a part of me that loved making fun of people. Only to me, pointing out someone’s high waters or making a comment to boys about the obvious crushes girls had on them was gentle prodding, not invective. I guess no one else saw it that way, and as a second grader, simultaneously being pummeled by Lindsey Krebs, the free spirited goddess, and my long time playmate was worse than not understanding how to multiply numbers. I was confused, but determined to prove them wrong, and form some sort of triple alliance of girl power with them, even if they hated me.
Growing up, my mother was the type to make me help out around the house: there was always some piece of antique furniture that needed to be dusted, or some dishes that needed to be put away, or a table that needed to be set for dinner. Usually, doing them matched up with the sometimes timid and newly companionless aspect of my personality, and I would invent scenarios to make the tasks seem romantic: I could be an underappreciated servant girl like Sarah in A Little Princess who was secretly the richest girl in all her boarding school, or pretty Cinderalla doomed to wait on the big-feet of her stepsisters. It was during one of these ritualistic chores that I decided I was ready to confront my mom about something that had been lingering in my thoughts for weeks:
“Mom, I want a pair of red corduroy bellbottoms,” I said to my mother, not looking up from the potato I was peeling.
“Do you?” my mother said, raising her eyebrows, glancing up from her cutting board. “Why red?”
“Lindsey Krebs has a pair of red corduroy bellbottoms and I have to have some just like them,” I told my mother. To me, Lindsey was never just Lindsey; she was Lindsey Krebs or no one – you needed to hear the whole name to get the full effect.
“Well, okay, honey. How about you put that on your Christmas list?”
“Christmas is in December!” I said, putting down the potato peeler and facing my mother. If Lindsey disliked me, maybe looking like her would be the first step to being like her, and then she would have to undeniably embrace me.
“Yes, I know, dear – it’s in December every year,” my mother responded, emptying the carrots she had chopped into the frying pan.
I wanted to respond, but didn’t: I let the rhythmic peeling of the potatoes and the sound of my mother’s spatula raking against the frying pan speak for me.
“All right, then,” my mother sighed, wiping her hands on the thigh of her jeans. “I’m through with you. Thanks for gettin’ them ‘taters ready,” she added, trying to make me laugh.
I smiled in the same way I did when my father belted out opera songs about Willy, our redheaded golden retriever, in the car – the sort of smile I reserved for when I wasn’t sure whether or not I supposed to be chuckling. I didn’t know if Lindsey’s parents made up their own rhyming jingles, or if they could only buy her new clothes on holidays, but I could guess the answer.
Once a week, our second grade teacher at Relay made us write in our marble composition books. We were to respond to questions like, “What are you going to do this weekend?” and “Do you like winter?” and “What do you like to do best after school?” I didn’t mind answering any of these, but I always preferred it when we were assigned free writes; I liked inventing mystery stories that Scooby and Shaggy would have trouble cracking.
Usually, when I read the week’s journal question on the blackboard, I would tap the eraser on my pencil against the desk or dig at the initials written on the pencil’s ridges in black magic marker; this was my way of thinking. But there were occasional questions that required no premeditation at all: I knew the answer right away. “If you could wish for anything in the world, what would it be?” was one such question, one of those ones I knew as intimately as the archs and twists in Lindsey’s handwriting. I began scrawling with the dull point of my pencil; when I could beckon my words so easily, I couldn’t be bothered with trying to conceal my unsteady penmanship. I finished before the teacher asked us to stop, and passed the time tracing the eyelet flowers on my white pinafore, looking up every so often to see where Corey Beals was wiping his boogies and to notice the way Lindsey Krebs poked her tongue out the corner of her mouth when she was concentrating too hard.
When the teacher finally called the attention of the class, she asked someone to share what they had written. I raised my hand, arm darting up swiftly like an arrow aiming for the classroom ceiling, but the teacher called on Zach Falwright instead, who’s wish would be to have a room all to himself filled with Dr. Suess books so that he could read all day without listening to his little brother whine, and make up rhyming stories of his own. Elise Robbins was next, who said she wished that her father would stop packing peanut butter and jelly and sugar-free snack pack pudding everyday in her lunch. After each of them shared their stories, my arm instinctively bolted upwards, but the teacher was looking to call on those students who didn’t have their hands raised. Lindsey was her next victim: “Lindsey,” the teacher said. “Won’t you share your journal entry with the class?” The girl opened up her composition book, which was neon orange, not magenta, like mine – a tell tale sign of my overt girliness and aversion to all things sporty or action figure oriented or just plain boyish. Lindsey could play dodge ball with the lads or belt the lyrics to songs in movie musicals on the bleachers with us lassies; she was versatile and fit in with just about anyone.
“I can’t find my page,” said Lindsey, thumbing through the book. “Hang on.”
“Shall I come back to you, dear?”
“No,” Lindsey responded. “No – here it is; I found it.” She smoothed the page over with her hand, pushed some of those blonde locks behind her ear, and began. And there it was – Lindsey’s wish, out on the table, like an hors d’oeuvre for the whole class to sample: she wanted her family to be happy. I looked at Ms. Campbell, our teacher, who wasn’t quite sure how to respond. Eventually, she just said, “Lindsey, that’s wonderful.” I couldn’t believe it. It was worse than the time after school, when I was waiting for the bus to arrive, and my teacher asked, “You know who’s handwriting I love?” And when I asked who, expecting to hear my own name, I heard Lindsey Krebs’ instead.
“Does anyone else want to share?” the teacher asked the students. “Elizabeth – didn’t you have your hand up?”
“I changed my mind,” I said.
“You sure? Well then,” she began, before I could respond, “Are we ready to move onto Spelling? Corey, would you mind passing some lined-paper out to the class?”
As the boy rose, obeying his teacher’s request, I took the eraser of my pencil and began, word-by-word, eliminating what I had written in my journal. I wanted Lindsey Krebs to see, to know what my wish was, but I knew now that I could never let her know, and too, I knew that Lindsey Krebs and I would never be friends.
Monday, March 29, 2010
forget-me-not
Saturday, March 20, 2010
Blossoming
"...Once againDo I behold these steep and lofty cliffs,That on a wild secluded scene impressThoughts of more deep seclusion; and connectThe landscape with the quiet of the sky."
Monday, October 26, 2009
For a Lover
Somewhere along the line, you unknowingly banned me from my phase of eclipses, that seemingly perpetual spell of darkening where illumination could find no refuge.
I never knew how difficult it would be to write about happiness, or how nearly unwilling I’d be to use that very noun. Even now, all of my instincts as a writer are reprimanding me for using such an abstract word in such an upfront way, are yelling that this sounds too much like the sort of elementary topic sentence that makes it impossible for a story to reveal itself piece by piece, shard by shard, one sliver at a time. But here I am, dodging my inclination to substitute “happiness” with some more ambiguous phrase: “seasonal contentedness” or “temporal satisfaction,” because in spite of my cynicism (or, perhaps, realism) for once, I want to at least make believe that I don’t think this is ephemeral.
I can’t help but to think of you as a montage – as instants formed, sort of like the strands of my own hair woven together in a thick fishtail braid. And so I espy us, collapsed on hills that I pretend are bluffs (because I am so very precarious, and often sidle away from you), wondering what the night clouds would look like if we still had imaginations, pretending we understand the world on a molecular level, and envisioning our bodies melting away into the soil, so that only our freckles and scars and pitted skin remained, forming the reflection of constellations in the sky overhead, like the Gemini twins – connected, consolidated. Or I see us on the floor of my room, you with all your external creativity, penning pictures on my palms, and me quietly wishing I knew how to do anything other than write. And then I remember you during sunsets on the river – you, artfully arranging plucked flower petals on my converged knee caps while stationed in a graveyard, and me knowing that we were mirrored echoes of one another, like the water and the sky before us. And when I can envision no longer, there you are, knocking on my door in the morning with a potpourri of my favorite fruits, or stumbling into my bed during the aurora after a meteor shower, or gifting me poetry anthologies with titles like, How We Sleep on the Nights We Don’t Make Love. (And ah, we don’t – forever wide-eyed and dreamless.)
We stumbled so suddenly (together), and your hands grasped me apace, before I became a shell in the ocean, seemingly burrowed deep within the sand and invulnerable to waves, but instead instantaneously drowned in the waters, adrift somewhere in that blue-green cavern. You walked me home in the rain on the night we met, and dried me off in your bed with the wind from your whispers, and I know that event to be a sentient metaphor, for although I am happy, I so often make a revolution and return to dreariness, but you are indefatigable, and are there to absorb even my most tempestuous deluges.
I am not Dante or Petrarch or any of the other great Italian poets, and I cannot compose love sonnets to slip under your doorway or in the pockets of your jacket, but know that my heart will always beat in iambs for you, with you. I am, I am, I am, it sounds, (in love with you.)